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In addition to a comprehensive introduction and an analysis of text and form, Othmar Keel focuses on the metaphorical and symbolic language of the Song of Songs. He makes full use of parallels—textual and iconographic—from Palestine, Egypt, and Mesopotamia. More than 160 illustrations, prepared by Hildi Keel-Leu, add to the interpretation of the songs.

Great Assembly” are a fiction of Pharisaic erudition, invented to bridge the gap between prophecy and Pharisaic Judaism. This invention gives insight into the beginnings of that movement, and the tradition shows that there was a problem regarding the public use of the Song and its place among the Holy Writings (which were read in public). The well-known discussion in the Mishnah tractate Yadayim, whether the Song “imparts uncleanness to the hands,”57 does not appear to be a question about canonicity
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